Download Horror Reanimated 1:Echoes
As the post says, if you go to Horror Reanimated, the blog I run with Joseph D’Lacey and Bill Hussey, you can download a PDF version of the limited edition chapbook we gave away at our readings earlier in the year.
Speculative Fiction Junkie has written a little piece and seems to like it; as does Sharon Ring, who gave it a great review over on Science Fiction and Fantasy Enthusiasts, and Highlander’s Book Reviews.
Let us know what you think!
Book review: Tide of Souls, by Simon Bestwick
Seeing this on the shelves was a joy to behold, not only because it’s the latest in Abaddon’s Tomes of the Dead imprint, (the previous tome I read, Al Ewing’s I, Zombie was a successful if somewhat quirky amalgam of sf (alien invasion), noir crime (private investigator), horror (bucket loads of the gory stuff) and the undead (the private investigator)), but also because Simon Bestwick’s name adorned the rather day-glo cover that rather cheapens this powerful and decidedly different take on the zombie-trope.
To this reader, Bestwick is amongst the frontrunners of the niche world of the macabre ghost story; his A Hazy Shade of Winter was the first Ash Tree Press title I bought. Not only did his tales of contemporary hauntings, both in the mind and of the land, take a firm hold on me, they also alerted me to that publisher’s high quality catalogue. His latest collection, All the Pictures of the Dark is available from Grayfriar Press – I’m three stories in and have no hesitation recommending it on the strength of those alone. Plus Bestwick’s up for a British Fantasy Award for Best Novella with The Narrows in September at the Fantasycon in Nottingham. Now he’s been given the chance to write a mass-market paperback and the tantalising possibility of him lending his powers of atmospheric suggestion to a full-blown zombie apocalypse was one I could not deny mself, and I applaud Abbadon for adding him to their roster. Read more
The Gardener
The Gardener was published in the first issue of Necrography a couple of months back. I’ve just realised I haven’t written anything about it on The Great White Space so here goes.
The eerie illustration is by my friend and conspirator Owen Priestley. This is the colour version of the accompanying illustration – Necrography printed a monochrome version which is pretty effective too. Thanks again to Owen for coming up with something so atmospheric and representative of the story.
Shaldon’s a quaint fishing village on the South West coast of Devon and my parents have a house a little way up the estuary in the hamlet of Ringmore. (I’m writing a series of tales set here and the second story, Low Tides, is forthcoming in All Hallows). As you might envisage, the majority of the residents are quite elderly and there’s always some work going if you take the time to look for it. Read more
Film review: Red Sands
Red Sands is Alex Turner’s follow-up to the undeniably eerie Dead Birds, an American civil war period piece, involving a squad of soldiers coming across a terrifying house situated in a field of corn, haunted by vaguely Lovecraftian horrors. In Red Sands Turner takes the same set-up and updates it to Afghanistan, placing a unit of American soldiers in an isolated location and spooking them out with a series of strange phenomena and bloody deaths; except, this time it doesn’t work.
Charged with seizing and then monitoring an important road the soldiers get lost due to some random artillery fire, come across some ruins and out of boredom (regardless of the fact they’ve just been attacked) set about shooting up the statues carved in the sides of the red sandstone hills. This act of ignorance unleashes a Djinn which then takes its revenge on the soldiers. We know it’s a Djinn because there’s a plaque in the stone that says so.
Film review: Dead Wood
A small budget movie with relatively big aspirations, Dead Wood was given a highly-rated review in DVD World recently – the same magazine that recommended Dead Birds a couple of years ago. I picked up Dead Wood hoping to repeat the satisfying experience of discovering a little known horror gem. Alas, ‘twas not to be…
There’s a strong if fairly unoriginal plot forming the foundations of Dead Wood. A brief prologue shows us a man running through the woods, pursued by something unseen, the woods alive with movement. He comes to a small river and hesitates and that proves his undoing. His girlfriend is left shouting his name as the woods darken around her. We then jump to a couple playing matchmakers for a weekend, taking their shy but mutually attracted friends camping. On the way they run over a deer and as it lays there in convulsions, they make what they consider to be the correct and humane decision, and finish it off.
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