Film review: The Objective
A well-intentioned supernatural covert-ops thriller from the writer of The Blair Witch Project that may culminate in frustration for some, as the ending is speculative to say the least. On the other hand, there are those of us who appreciate such room for interpretation, and The Objective cannot be accused of being anything but original given the recent trend towards inept war/horror movies such as the tedious Red Sands and the atrocious Zombies of War.
The Objective of the title is itself cloaked in mystery as CIA Agent Ben Keynes is assigned a small Special Ops team to locate and interview a local mystic. This old man may or may not know about the massive radioactive heat signature discovered by satellites deep in an unforgiving terrain of mountains and desert. It becomes apparent that this search is only a part of Keynes’ mission, but whether or not he knows the reasons behind the team’s steady disintegration as they travel deeper into the wilderness is also unclear.
What is clear is the formula Myrick has chosen to apply to The Objective: this is The Blair Witch Project without trees (and witches). He develops a gradual unease as the lost group stumble across wooden triangles stuck in the barren landscape, possibly placed as warnings. Water turns to dust in their canteens and they see vague shimmering shapes in the distance, hazy figures walking into the triangular phenomena before ascending into the sky. As they are picked off one-by-one by a rarely seen force that literally disintegrates its victims (its geometries looking like something that might have come from a mind-meld of pseudo-scientist and new-age sf maverick Eric Von Daniken, and H.P.Lovecraft) the team is no nearer knowing what it is supposed to be doing.
The Objective suffers by its director’s reputation, and by comparison to the aforementioned Blair Witch Project, but it is relatively well-acted and fresh enough to be worthy of your time. Having said that, I’d like to see this script worked into a short story or novella – the reader would undoubtedly enjoy a more subtle and gritty supernatural experience that would make a much greater and longer-lasting impression, as suggestion is often more effective on the page than on screen.
The Objective, 2009
Directed by Daniel Myrick
Film review: Zombies of War
The zombie Nazi film sub-genre is, like everything else these days, not the obscure, difficult to discover (and fund) thing it once was. The atmospheric Outpost (although, were they really zombies, or ghosts, or…?), and the blood-drenched zombedy Dead Snow both made positive contributions to the list that began with Shockwaves back in 1977 and then all but expired with the mouldy cheese that was Oasis of the Zombies (1981) and Zombie Lake (1981).
The most recent addition to the canon (although it was made in 2006) is the ultimately disappointing Zombies of War (as it’s known in the UK on DVD; Horrors of War elsewhere). Many of the reviews on the Internet Movie Database have referred to ZoW as being referential to the ‘classic’ B war movies of old, but, you know, arguably there’s not much call for this sort of approach these days, (unless you’re Tarantino), so as someone states, why bother?
Film review: Pandorum
It happens less frequently than I’d like; a contented glow of time well-spent: 103 minutes of hybrid sf/horror that one is happy to place alongside peers such as Event Horizon, the Alien series, The Dark Hour, Pitch Black and…, well there aren’t many more to add to that list. Pandorum is a prime example of learning from what’s gone before and upping the ante to create an effectively tense and challenging experience with an originality all of its own.
Many years from now, as the Earth becomes a nuclear battleground for ownership of its failing resources, the Elysium is sent into deep space with a cargo of 60,000 sleeping people and the DNA of most of the planet’s flora and fauna; a modern ark, maintained by several crews who will be woken-up in turn as the years pass, bound for the single planet that has been identified as earth-like, Tanis; their mission, to start again.
Film review: Antichrist
You’ll no doubt have encountered the furore this movie has generated over the past few months and while I’m loath to add to the noise, I don’t think it’s possible to not have a debate over a film of this nature. Although divided into several chapters with titles including Grief, Pain and Despair, for me, Antichrist is a film of two parts: the first two-thirds and the final third; this latter segment no doubt being responsible for its seeming adoption or alignment by and with the horror genre.
Antichrist commences with an extended scene, shot in black and white, and set to a classical soundtrack. No dialogue, just detailed slow-motion shots of the flat in which the Man and the Woman (the characters are unnamed and I’ll not mention the actor and actresses names either) are making love, and (ooh how controversial) a single second scene of penetration. During this activity their young son walks down the stairs, climbs onto a desk and falls out of the window. It’s a memorable, simple and stylish way to begin a film that soon loses itself in analysis, atmosphere and ambiguity. Read more
Film review: Colin
A new independent British zombie film following in the footsteps of the adequate The Zombie Diaries, and the more polished, if unseen to date, The Dead Outside (will someone please give these guys a DVD deal? In fact, put all three movies into a cool little box-set please), Colin has been touted around with the story of a £45 budget spent on tea and biscuits. If that’s true then all well and good, but the film itself certainly stands up to geek analysis without the aid of a gimmicky marketing campaign, and will receive a deserved short run and DVD release in October.
Colin is the eponymous central character whom we meet returning home one afternoon. It soon becomes apparent there’s anarchy in the streets of Wandsworth, South London as gunshots and explosions fill the City air and he washes his blood-soaked hands and knife. Colin has been bitten and after fighting off his flatmate we witness his inevitable un-birth. The film then follows our hero around the streets of London as he slowly descends into a state of fully-fledged zombie. For a zed geek like me this is one of the most interesting aspects of the film as, initially, Colin appears to have a certain amount of intelligence to his actions, maybe considering whether or not to tuck into some easily available flesh as the more developed around him flood the streets and chase down the unfortunate survivors. Read more
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